|  Published 
                    1975. Translated 
                    by Christopher C. Wilson and Katharina M. Wilson Hydra Books, 
                    Northwestern University Press ($14.95)  
                    Houston Book Club - http://www.HoustonBookClub.com. 
                    March, 2003 book club selection. Selected by Linda R. 2002 Nobel 
                    Prize for Literature Winner Gives Holocaust a Voice
  In 
                    his first novel published in 1975, Kertész says he used the 
                    form of the autobiographical novel but that it is not an autobiography. 
                    Fateless is the first of a trilogy (Fateless, Fiasco, 
                    and Kaddish for a Child not Born) about George (György 
                    Köves), a fourteen-year old Hungarian Jewish boy who is sent 
                    to Nazi Germany's infamous concentration camps Auschwitz, 
                    Buchenwald, and Zeitz in the last year of World War II. Where 
                    his father was sent a few days before George was sent to the 
                    camps, we are not told.  He 
                    was not from a particularly religious family, and knew neither 
                    Yiddish nor Hebrew. So, while he wore the obligatory yellow 
                    star, fellow Jewish prisoners looked down on him because he 
                    only spoke Hungarian, and he felt as though he did not fit 
                    in, but took it all in stride with faith that things would 
                    work out, and looked back on the experience of his year in 
                    captivity fondly because of the camaraderie resulting from 
                    sharing the ordeals with so many others of his own age.  He caught 
                    on quickly that the key to survival was to work, and that 
                    meant he had to claim to be sixteen, as those too young, too 
                    old, or too sick disappeared. He bore the indignity of being 
                    shorn of all body hair, cold showers, awful food, and beatings 
                    with an innocence and struggle to make sense of his undeserved 
                    fate.  The hard 
                    life was something he could tolerate, and this book is not 
                    a recounting of horror stories. The worst he saw was the display 
                    of three dead escapees, and a cart with assorted body parts. 
                    He spends some time documenting the complex system of stars, 
                    armbands, and letters on them, but not enough to be considered 
                    a primer on the identification system used to label prisoners 
                    as Jews, homosexuals, criminals, etc. George was 
                    not a hero, did nothing extraordinary, and there is no love 
                    interest. He saw his introduction to this world only gradually 
                    tainted by despair. Early on, he thought it was pleasant to 
                    be with other young men, working hard, and did not realize 
                    he was a prisoner until his arrival at Auschwitz after a three-day 
                    journey by train with no water in a locked train car with 
                    seventy-nine other captives.  I learned 
                    in this novel that the concentration camps did not only operate 
                    during World War II, but opened as early as 1933, with some 
                    of the staff at Buchenwald being there the entire time.  Kertesz said in reference 
                    to receiving the Nobel Prize, "My immediate reaction is one 
                    of great joy. It means very much to me," he said. "There is 
                    no awareness of the Holocaust in Hungary. People have not 
                    faced up to the Holocaust." I hope that in the light of this 
                    recognition, they will face up to it more than until now."  Kertesz' lectures and 
                    essays have been collected in "A holocaust mint kultúra ("The 
                    Holocaust as Culture"), 1993." His non-fiction books also 
                    focus on the subject, including The Holocaust as Culture, 
                    Moments Of Silence While The Execution Squad Reloads and 
                    The Exiled Language.  |